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Multiple cover versions of "Plastic Love" also exist, including by Tofubeats, Friday Night Plans and Chai. Cat Zhang of Pitchfork reported that younger city pop fans commonly cite "Plastic Love" as their "gateway to the genre". Ryan Bassil of Vice noted that the song is "a rare tune that doesn't exactly need words to expertly describe a specific, defined feeling – one of lust, heartbreak, love, fear, adventure, loss, all caught up in the swirling midst of a night out on the town" and called the song "the best pop song in the world". As of May 2021, the video had more than 63 million views. The video garnered 24 million views before being taken down for a copyright dispute with Levenson, but was then restored in 2019 with credit given to Levenson in the video description and thumbnail. Its spread was also aided by internet memes, discussions on Reddit, and fan art of the "Sweetest Music" cover on platforms such as DeviantArt. Coinciding with the vaporwave genre's rise in popularity, Plastic Lover's upload spread rapidly throughout YouTube through the platform's recommendations algorithm. In an interview, Plastic Lover said that their video was a re-upload of a now-deleted video on YouTube. The video showed a cropped version of the cover of Takeuchi's earlier single "Sweetest Music", taken by Los Angeles-based photographer Alan Levenson. On July 5, 2017, an eight-minute fan-made remix of "Plastic Love" was uploaded to YouTube by a user known as "Plastic Lover". A twelve-inch single was released on March 15, 1985, which included an "extended club mix" and "new re-mix" of the song and reached 86th on the Oricon Singles Chart. The single was Takeuchi's twelfth single to be released. The song was first released on Takeuchi's number-one hit album, Variety (1984). tell the story of a woman who lost the man she truly loves." Yamashita also played guitar for the song, while Yasuharu Nakanishi played electric piano, Kōki Itō played bass guitar, and Jūn Aoyama played drums. In an interview with The Japan Times, Takeuchi remarked: "I wanted to write something danceable, something with a city pop sound. Those interested in checking out the upcoming cover, pre-orders are now live via iTunes, here."Plastic Love" was written and performed by Takeuchi and produced by her husband, Tatsuro Yamashita. Set to release digitally on January 23, I’m honestly pretty excited to see just what Tofubeats is able to introduce in his cover of “Plastic Love”, as well as how both domestic and international listeners will react.
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With all of Tofubeats’ album releases peaking within the top 20 on the Oricon Charts, it’s likely that his flare might be just what the song needs to crack into mainstream appeal. While “Plastic Love” was far from Mariya Takeuchi’s most recognizable song at the time of its release, peaking only at #86 on the Oricon Charts, it’ll prove interesting to see just how open Japan is to the recently appreciated gem in 2019. While there’s still about a week before we can actually listen to his cover of “Plastic Love”, Tofubeats wasted no time in uploading his own edit of the cover to Soundcloud, citing his usual House-driven sounds mixed in with Future Funk elements as the basis for the edit. Given the fact that Tofubeats is signed to Warner Music Japan, the surprise of the announcement is pretty offset by the fact that it just makes so much sense for him to pursue the rights to cover the song, with Mariya Takeuchi having signed to the major label all the way back in 1998. Whether this is in direct reaction to this, or it’s something that he’s been wanting to do for quite some time, Kobe-based producer Tofubeats today announced his official cover of “Plastic Love” which is set to release on January 23. The song is considered by many international onlookers to be the holy grail of the micro-genre, with both re-uploads of the original song and unofficial edits garnering millions of views on YouTube.
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It’s no small secret that Mariya Takeuchi’s “Plastic Love” has received a massive amount of attention internationally, something that’s in no small part thanks to the songs early introduction into the Future Funk scene and the renewed interest in Japanese City Pop that occurred as a direct result.